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Anecdotes,
Apocrypha & Internet Folklore |
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A
Short Eulogy
(posted on IMDB by Adam Redfield, Friday,
21 March 2008)
My father played Richard
Rich in the original Broadway production of A
Man for All Seasons with Scofield. My
father once described Scofield as "saintly" and
perhaps that is correct. My father died more than 30
years ago and Scofield stayed in touch with my family
performing many kindnesses for us over the ensuing years.
He corresponded with my sister who, though an authentic
genius, was severely mentally ill and often hard to converse
with. Yet, he remained her friend and when she died at
age 47, Scofield wrote a beautiful letter to my mother
about her, not a condolence card, a letter.
I pray that God has taken him home and that his family
takes comfort from all the love people had for him.
The
Dirt Eating Scene
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On the Best
American Poetry blog, David Yezzi recalls, "After
an evening of scenes from Shakespeare that I put together
at the Poetry Center of 92nd Street Y a few years ago,
I was having dinner with the actors: Philip Bosco,
Rosemary Harris, and Brian Murray. I was completely
dizzy with wine and the stories of working with the
greats: what Olivier said, what Burton did, etc. Then
Brian Murray launches into this story that I will never
forget. Murray was in the stage version of Brook's Lear,
playing Edgar beside Scofield's king. If the movie
is any indication, the production was quite gritty
looking. Edgar, who spends a fair amount of time in
the mud, appears begrimed for much of the play. The
week before opening they changed his make up, so that
the mud was in fact chocolate sauce smeared across
his face.
All went swimmingly until opening night, when Murray
gets the jitters and, as he told it, begins to freeze
up. Scofield, sensing this, crosses to him, which he
had never done before, kneels down and runs a finger
across his face. He then licks the finger and whispers
loudly, "Mm. Mars. Delicious!" This absurd
stunt puts Murray back on track, and he is able to continue.
Now here's the part I've always wondered about. It's
a story too good not to be true, so I've never verified
it. According to Murray, Tynan was in the audience that
night and in his review wrote something to the effect
that Scofield clearly marked Lear's descent into madness
by picking a piece of mud off of Edgar and eating it.
And, of course, despite this bit of praise Scofield never
repeated the moment."
You
can read the complete essay at http://thebestamericanpoetry.typepad.com/the_best_american_poetry/2008/04/paul-scofields.html
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Favorite Books
The Tree of a Man by Patrick
White
The Return of the Native by Thomas Hardy
Travels
with a Donkey by R. L. Stevenson
Favorite children's books
Beatrix Potter books
Henry, the Story of a Mole by Joy Parker
(his wife)
Source: PR
Newswire, Press Release, April 10, 1995
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Coriolanus |
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I
remain startled just thinking at the moment when Paul
Scofield, playing Coriolanus at Stratford, Ontario, in
1961, said, “There is a world elsewhere.” Up
to that point near the middle of the play he had been speaking
in a flat monotone, so much so that I kept thinking, “Why
is this guy supposed to be so great?” Then, on that
line, he simply exploded on the second syllable of the
word “elsewhere” — and from that point
was essentially a screaming maniac. It was the beginning
of my understanding how exciting a well-thought-out acting
moment can be.
Robert
California (Source: http://www.nytimes.com/2011/01/01/theater/01critic.html?_r=1&ref=paulscofield) |
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John Rigg Recalls:
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I worked at the
Haymarket Theatre in the 60s and he read from Timon for
us for a charity set up help repair precious artwork damaged
by the floods in Italy. He later came back to rehearse
Time and Time Again with Wendy Hiller.
I was subsequently at the New (later Albery now Noel
Coward) Theatre to take
out Osborne’s Hotel in Amsterdam and
met him again. He was an unassuming man of great charm
with a wonderful wry smile. I caught him once outside his
dressing room and told him of the many times I had seen A
Man for All Seasons and how I thought his performance
monumental. He said nothing, but just looked into my eyes,
patted me on the shoulder and walked into his room...
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